Jean and Alexander Heard Library
MIML
Page 1  2  3  4  5  6  7  8  9  10  11  12  13  14  15  16  17  18  19  20  21  22  23  24  25  26  27  28  29 

Record 101 of 289

Author     Gaussin, Pierre-Roger and Madeleine Vallet.
Title     "L'instruction Secondaire des Filles en Forez au XVIIe et XVIIIe siècles."
Citation     Gaussin, Pierre-Roger and Madeleine Vallet. "L'instruction Secondaire des Filles en Forez au XVIIe et XVIIIe siècles." In Religion et Politique: Les deux Guerres mondiales: Histoire de Lyon et du Sud-Est. Mélange offerts à André Latreille. Lyon: Audin, 1972, pp. 455-71. [Does not discuss music.]
 Display Full Record

Record 102 of 289

Author     Glaisyer, Natasha and Sara Pennell, eds.
Title     Didactic literature in England, 1500-1800: Expertise Constructed
Citation     Glaisyer, Natasha and Sara Pennell, eds. Didactic literature in England, 1500-1800: Expertise Constructed. Aldershot: Ashgate, 2003.
 Display Full Record

Record 103 of 289

Author     Goldstein, Carl
Title     Teaching Art: Academies and Schools from Vasari to Albers.
Citation     Goldstein, Carl. Teaching Art: Academies and Schools from Vasari to Albers. Cambridge, Massachussets: Cambridge University Press, 1996.
 Display Full Record

Record 104 of 289

Author     Gómez, Maricarmen [Gomez]
Title     "Minstrel Schools in the Late Middle Ages."
Citation     Gómez, Maricarmen. "Minstrel Schools in the Late Middle Ages." Early Music, 18 (1990): 213-15.
 Display Full Record

Record 105 of 289

Author     Gouk, Penelope.
Title     Music, Science and Natural Magic in Seventeenth-Century England.
Citation     Gouk, Penelope. Music, Science and Natural Magic in Seventeenth-Century England. New Haven and London: Yale University Press, 1999.
 Display Full Record

Record 106 of 289

Author     Gouk, Penelope.
Title     "Speculative and practical music in seventeenth-century England: Oxford University as a case study."
Citation     Gouk, Penelope. "Speculative and practical music in seventeenth-century England: Oxford University as a case study." In Atti del XIV congresso della Societa Internazionale di Musicologia, Bologna, 1987: Trasmissione e recezione delle forme di cultura musicale. Torino: Edizioni di Torino, 1990, pp. 199-205.
 Display Full Record

Record 107 of 289

Author     Grafton, Anthony
Title     New Worlds, Ancient Texts: The Power of Tradition and the Shock of Discovery
Citation     Grafton, Anthony. New Worlds, Ancient Texts: The Power of Tradition and the Shock of Discovery. Cambridge, Massachusetts: Harvard University Press, 1992. [Does not discuss music.]
 Display Full Record

Record 108 of 289

Author     Grafton, Anthony
Title     From Humanism to the Humanities: The Institutionalizing of the Liberal Arts in Fifteenth and Sixteenth-Century Europe
Citation     Grafton, Anthony. From Humanism to the Humanities: The Institutionalizing of the Liberal Arts in Fifteenth and Sixteenth-Century Europe. Cambridge, Massachusetts:Harvard University Press, 1986. No music.
 Display Full Record

Record 109 of 289

Author     Grafton, Anthony
Title     Defenders of the Text: The Traditions of Scholarship in an Age of Science, 1450-1800.
Citation     Grafton, Anthony. Defenders of the Text: The Traditions of Scholarship in an Age of Science, 1450-1800. Cambridge, Massachusetts: Harvard University Press, 1991.
 Display Full Record

Record 110 of 289

Author     Grafton, Anthony
Title     Commerce with the Classics: Ancient Books and Renaissance Readers
Citation     Grafton, Anthony. Commerce with the Classics: Ancient Books and Renaissance Readers. Ann Arbor: University of Michigan Press, 1997. [Does not discuss music]
 Display Full Record

Page 1  2  3  4  5  6  7  8  9  10  11  12  13  14  15  16  17  18  19  20  21  22  23  24  25  26  27  28  29 


Jean and Alexander Heard Library  Anne Potter Wilson Music Library
Blair School of Music  Vanderbilt University
Copyright © 2007 Jean and Alexander Heard Library, Vanderbilt University

MIML is funded through the generous support of the National Endowment for the Humanities.
The recommendations provided in this website reflect the judgement of the authors and do not
necessarily represent the opinion of the National Endowment for the Humanities.